Tuesday, June 23, 2009

The Voice Of A Symphony - Crime In Stereo, 2009

A couple of years ago, Long Island, New York’s Crime In Stereo turned more than a few heads with their third full length album, the facetiously named Crime In Stereo Is Dead. The album saw, on a basic level, a drastic change to their ‘Nitro Records’ melodic punk style, however one that had been subtly working its way into their music since their previous, I, Stateside. On a deeper level, …Is Dead actually took what the band had already established as a unique take on melodic punk rock and hardcore and incorporated into it elements of grunge, shoegaze and experimentations in noise. April 26, 2009 they played a show in Brooklyn with hardcore giants Bane and Have Heart. The show itself was a true testament to the varying styles and generations operating in the hardcore scene today. I was lucky enough to have the chance to speak to Crime In Stereo’s vocalist, Christian about their retrospectives on …Is Dead and what he is looking forward to next for the band.


Their recent Selective Wreckage release of b-sides and unreleased material serves as a path between I, Stateside and …Is Dead, exhibiting the growing presence of grunge and shoegaze influences that have gradually, and consciously worked their way into the music. Christian elaborates on this growth. “We’ve grown a lot as musicians, but the music was growing faster than I was and I needed to step back. I took a bunch of vocal lessons and got myself up to par with where they were. The way I am singing now is how we always wanted to portray ourselves. We’re still carrying a deep message, being the band that we always were, just a little bit more melodic with a little bit better song structures. We’re stepping in the direction of being musicians as opposed to a bunch of dudes who like music. That’s the best way I can describe, we’re all dudes that love music, and this record we wanted to be musicians. I feel like we did that and the next record, which we start recording next week, is a progression of this. It’s the raw feeling of Stateside, it’s the experimentation and song structures of Dead, and then some. We make music for us, it’s all a learning experience.” The experimentation Christian speaks of is what has really put CIS in the spotlight recently. He continues; “We kind of stepped outside the box and said ‘Let’s not write a record for hardcore kids, let’s not write a record to get big, let’s just write a record we feel.’ Halfway through that recording we were like ‘Wow’, we were really proud of what we were doing, really psyched on it.”


I was interested to find out how they approach their live shows these days with the new songs they have written and the conscious inclusion of different musical elements. Especially with a lineup like that of tonight, playing alongside four or five bands that are loud, fast and aggressive, it starts to make CIS stand out more and more. What’s surprising,” says Christian in response, “is that some of the softer songs we have are the ones that the clichéd, super-hardcore dudes love most.” He makes it clear that they don’t get wrapped up in self-consciousness over such issues, and go about being a band and playing shows the same way they always have.


Specifically, bands such as Nirvana, Sonic Youth and My Bloody Valentine were brought up as ‘non-hardcore’ influences having a large impact on CIS’s musical future. Christian explains how he feels bands like these and hardcore share common ground, and where CIS fit into all of this. “We’ve always portrayed ourselves like a hardcore band. We’ve always put on our own shows in Long Island, we’ve always picked hardcore bands to play with us. I think when dealing with emotion, bands like that are on the same level as hardcore bands. It is just oozing out of the chords they’re playing, and that’s the connection. People will hear our band and be like ‘That’s not a fuckin’ hardcore band”, but it’s moreso in the message than in the melody of the chords. It’s moreso in how you carry yourself as a band. People will always take different things completely differently from how you want them to, but no matter what we do – the heart of our band is in hardcore and punk rock music.”

Their new album (which, mind you, isn’t even recorded at this point) looks to become one of the more anticipated records for the coming year, and already there is speculation over what to expect. Christian gives a little bit away about their writing process so far. “There’s a huge grunge influence in the newer songs. We’re putting the songs together as a band and then going into the studio, whereas we’ve used the studio in the past as the platform where we’re like ‘Okay this idea, then that idea.’ We’re going in there with structured songs so I feel like we already know how the record is going to be, and I’m so excited. We’ve always been a studio band, and this record I feel is a live record.”

Just as their musical direction is turning heads, so have their lyrics. Creating surrealist, dreamlike empires out of words, the depth and poetry that exists in CIS’s lyrics are endlessly engaging and again set this band apart. Christian sheds light on the writing process; “Alex is like the ‘blueprint-dude’. He writes the songs… I come up with a lot of the melodies, he writes a lot of the lyrics. He is an amazing writer, not just a lyricist – like stories, comics – he’s amazing. I feel like if you’re a band you want to portray yourselves as best as possible. I write,” he says flippantly, “I do all that stuff, but you want the best thing for a song. We’ve been doing it, me and him, for so long – once we start doing vocals it’s just me and him and our producer, and we live in a studio – and it’s gotten to the point where I know what he wants before he has to show it to me. Now, he just hands me something, I read it, I’m floored and I’m like ‘Okay, roll tape.’ We’ve gotten past that whole ‘thing’ and it’s just like what’s best for this band. A lot of people in other bands have egos and shit like that and they don’t want their egos trampled on. I’m not about that. I’m about this band being the best that it can possibly be, and if that means our guitarist has to write the lyrics then I am 100% fine with that. Songs that he writes – I look at them and I’m like ‘That’s my life!’ How the fuck does he do that? Sometimes I feel like he goes into it looking – like there are a few parts in songs that are spot on things I have gone through. Sometimes I almost feel like he knows my brain – he knows how I am and the things I have gone through. Those songs are just as much me as they are him.”

Coming from the punk rock hotbed that is Long Island has had and continues to affect the band as well. Home to two of the biggest punk/emo acts in recent years (Brand New and Taking Back Sunday) as well as countless local acts that have had impact on the Tri-State area’s various scenes, Long Island remains the band’s home and Christian has an ostensible sense of loyalty to it. “It’s a sense of pride when you have national bands from your home town – especially guys like Brand New. I’m super close and Alex is super close with those guys. They carry themselves, as big as they are, so humbly, and they’re so nice and they’re so into what they do. I was in England and I was at a dance club and they were playing Brand New and I just had this sense of pride, like, that’s Long Island. That’s our upbringing, what they’re singing. The experiences they had are how they’re able to write those songs and that’s our life. I feel nothing but a sense of pride for that shit.” With that, and their demonstrated ambition, it had to be asked if the band, and Christian personally longed for the same level of success to represent their home. “I want to see and do as much as I possibly can. If it comes to a time when we get to that level, I would not look back for one second.”

Speaking to Christian, although a brief conversation, has given me the impression of a band comprised of young individuals, largely unmatched in ambition. This ambition extends to both their music and their career view. Playing live tonight, they exhibited a prowess and confidence that seems to be matched in the way they approach each day as a band. Christian leaves me with this statement, and a sense of closure – for now; “I’ll tell you something right now; I’ll play in front of anyone, even if they don’t want to hear me. I’ll sing to anyone I possibly can, I want everyone to hear what we have to say.”


Most of these photos were taken from the band's myspace, the other few were taken by me.

Photo Entry - April 25, New York City

Here is a series of photos of three bands that played a show together in New York a couple of months ago. Seeing 108 for the first time was a pretty big deal for me on a personal level, and I hope the photos manage to convey the mayhem that is their live show. As well as 108, we have Soul Control and I Rise, two bands who are taking their own style to '90s style hardcore and post-hardcore, both in very different ways. Basically, these are bands who I feel are doing something honest and progressive in hardcore, without discarding their roots. Take a look.


I Rise


Soul Control


108


Shooting The Messenger - Narrows, 2008

Another article originally written for a magazine that never saw the light of day. Fortunately, this one isn't so much 'outdated' as just 'late off the mark' at this point. Narrows have just released their debut album, New Distances on Deathwish Inc., and they rule. So read this and check them out.


New Deathwish Inc. signing, Narrows, is kind of like the perfect Fantasy Football team of hardcore bands. Comprised of ex and current parts from Botch, Some Girls, These Arms Are Snakes and Unbroken as well as the indie-rock’n’roll elements of Makeout Boys, Bullet Union and Tropics. With these collected ingredients, Narrows is a concoction of cold, bleak desolation met with violent rythms and compulsively sculpted tone. Their debut 7” EP was released, girt by hype to many a hungry ear, and Deathwish Inc. have slated a full length for later this year. However, as bassist and Unbroken/Some Girls alumni Rob Moran explains, hype is overrated.


“I guess I understand Dave singing like this again is a big deal (as it is even for me), but I hope people don't place expectations on it. This band is not Botch, Unbroken or TAAS – the band is what it is.” As much sincerity as that statement holds, it seems Narrows may have a hard time escaping the ‘supergroup’ stigma, another clichéd notion Moran indignantly refuses. “I cannot stand that tagline. I went through that with Some Girls and people have so many expectations that if it does not sound like what they want to hear, they trash it. As I said, people should take it for what it is and enjoy it for what it is; a new band with people they may or may not have heard of.” The question then is, with members strewn across the west coast of USA, and one residing in the UK, how did these five people come together to become Narrows? The tight-nit nature of Seattle’s hardcore scene, and its exchange of members between bands lends an explanation to the connection between vocalist Dave Verellen and guitarist Ryan Frederiksen. Moran fills in the blanks; “I have always been a fan of Dave's voice and Ryan's guitar sound, so when I found out that Jodie was coming out to Seattle for holiday, I asked him if he wanted to record some songs while he was here. Sam I had known for a while living in California and I knew he could do a solid job playing drums. As to what drew us together, I really can't say. I guess five people that wanted to try something and see where it took us.” He continues, explaining the dynamics between the five; “We all had something to bring to the table when it came to making music. The goal was to make three songs that did not sound like they were written in two days. The best part about it is that it was done without anyone dictating or forcing their sound on anyone else. Ryan, Jodie and I play so differently that we were all able to play something that enhanced the song.”

Here’s the kicker; these three songs were written in that time frame. “We had two practices, wrote three songs and recorded it on the third day.” Moran explains. “It was that ‘We have no idea where this is going to go’ mentality that made it easy to write the music. None of us really had anything concrete written, just a few ideas traded via email. I think we influenced each other more than anything else. I would have a part, and Ryan would be inspired to write something, or Jodie would have a part and I would think of something. It was all written without anyone saying ‘I want to sound like this band’, or ‘This is popular, let's sound like this’. We knew we wanted it to be heavy, dark and current. Hopefully that will translate when people hear the EP.” None of their press so far has let on about just what Narrows are setting out to achieve stylistically, and according to Moran’s, that is just the point and wherein lies the validity of their music. “There weren't really any particular bands that influenced the EP, as it happened all too quick for influences to seep in.”

While the haphazard nature of the band’s conception was integral to their creative arc, Moran insists they have no intention to continue to operate under the same kind of conditions. “With the LP, we had a bit more time to write. Jodie, Sam and I traded songs via email for a few months in early 2008. All in we had close to 20 songs. Some of it was great, some of it terrible.” With the chance to put a bit more critical thought behind it, Moran is able to be somewhat more definitive with what is to come from Narrows. “We just picked the best parts and put them together. I know on some of my songs for the LP I was listening to a lot of Swiz. Some of that is in there for sure. Jodie and Ryan are really into Boris so massive effects and crazy tones are all over the album. We definitely had more time with the LP, and we wanted to put something out that Deathwish and we would be proud of.”


It may seem Deathwish Inc. have won some kind of competition in their signing of Narrows, considering the notoriety of the bands collected parts, and their connections to various other indie notables (the obvious being Hydra Head and Jade Tree). Moran explains their relationship with the label. “I kind of spearheaded that move to Deathwish. I just knew that with our sound, they would be the best fit for the band. What we play may not sound like everything they put out, but many of their releases are diverse and they are good people to work with. I sent them a copy of the EP and they liked it. Also, we didn't really think other labels that we are connected with would even like it. I was wrong, as Justin [Pearson (Swing Kids/Some Girls/The Locust)] from Three One G actually liked it a lot. Either way, I just knew Deathwish would be a good home for this band as they know our touring is limited and I have worked with them in the past. They are good people and I love them as friends and as a label.”

While the recent activities of the band have been very spontaneous, Moran reveals the formation and consolidation of Narrows’ lineup was actually over one year in the making. “The band started in 2006 with a different line up, but Dave was singing and Sam was still playing drums. We stopped playing due to health issues with one of the guitar players and put it on hold after about 4 practices. The band in its current formation started in Oct 2007.” While they are now technically an international band (guitarist Jodie Cox resides in London), a main chunk of the band (Rob, Dave and Ryan) is based in the musically rich hub of Seattle, Washington. Dave Verellen chimes in and shares his feelings on re-entering a scene he was once such a huge part of. “I haven't felt like a part of the Seattle hardcore, or music scene in general for a few years now. I guess it’s just because I had other stuff going on and haven't had time or desire to see new, up and coming bands. I know there is a lot of great music happening up here, I just haven't had my finger on the pulse. I'm sure Ryan has had more exposure to that, being in a more active band (TAAS). Starting out young like we did gave us a lot of time and energy to spend on being a part of the scene. With this band not having played a show yet we haven't introduced ourselves.”

There is no doubt that Narrows have a bright future as a band, for as long as they dictate it is necessary for them to be one. Moran makes it clear that he is not basing any expectations for his new band on the past or current projects of any of the members, but admits he still holds concerns about the external perception of Narrows. “Some people cannot just sit back and buy a record. Yes, it is nice that we were in previous bands, but that should just peak curiosity and not make people think that because of who is in the band, it will be the best band ever. I don't know if anything I do will ever overshadow anything else I've done or not.” Speaking from a wealth of experience, Moran finishes simply with this; “I'm here and it is now, not 13 years ago. I hope people buy the records with open minds. You will be much happier that way.”

NARROWS: GYPSY KIDS (2009) 872 x 480 from My Black Cat on Vimeo.